This is the final volume in the set of four collections of Michel
Huglo's articles to be published in the Variorum series, and
focuses on medieval music theory. The point of departure for
Huglo's research was his doctoral dissertation on tonaries,
published in 1971: as a consequence, he studied the manuscripts of
music theory concerning plainchant, and, later, those with writings
on music by authors of Late Antiquity as well as the Liber
glossarum, with its many definitions of musical terms. In this
volume, certain articles consider the interpretation or
dissemination of texts, instruction in the art of plainchant, and
musical instruction at the university. Others concern the
manuscripts of St Augustine's De musica and of the writings of
Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac,
Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia,
amongst others. The volume closes with a bibliography of Michel
Huglo complementing that published in 1993 and a summary list of
his reviews of books on music and liturgy. Ce volume des articles
de Michel Huglo termine la serie de quatre dans la collection
Variorum. Il est centre sur la theorie musicale medievale. Le point
de depart des recherches de Michel Huglo sur la theorie musicale du
Moyen A'ge est forme par sa these sur les tonaires, editee en 1971:
en consequence il etudia les manuscrits de theorie musicale
concernant le plain-chant et, plus tard, les auteurs de l'Antiquite
tardive et le Liber glossarum qui contient des definitions de
nombreux termes musicaux. Dans ce volume, certains articles
traitent de l'interpretation ou de la dissemination des textes, des
instructions sur l'art du chant, et sur l'enseignement de la
musique A l'Universite. Ils concernent les manuscrits du De musica
d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert
d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de
Moravia, et d'autres auteurs. Enfin, ce volume contient la
bibliographie de
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