This book explores the major paradoxes of Russian literature as a
manifestation of both tragic and ironic contradictions of human
nature and national character. Russian literature, from Pushkin and
Gogol to Chekhov, Nabokov and to postmodernist writers, is studied
as a holistic text that plays on the reversal of such opposites as
being and nothingness, reality and simulation, and rationality and
absurdity. The glorification of Mother Russia exposes her character
as a witch; a little man is transformed into a Christ figure;
consistent rationality betrays its inherent madness, and extreme
verbosity produces the effect of silence. The greatest Russian
writers were masters of spiritual self-denial and artistic
self-destruction, which explains many paradoxes and unpredictable
twists of Russian history up to our time.
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