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Performing Nationhood - The Emotional Roots of Swadeshi Nationhood in Bengal, 1905-1912 (Hardcover)
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Performing Nationhood - The Emotional Roots of Swadeshi Nationhood in Bengal, 1905-1912 (Hardcover)
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This book serves as the corridor to one's 'self'. It began as a
humble attempt to interrogate the performance history of Swadeshi
Bengal. The burgeoning public space and audibility of voices
hitherto unheard presented a two-way problem, for the colonisers,
as well as for the colonised. The thinking mind that hid behind a
facade of obedience suddenly appeared before all. The transparent
veil separating the hidden from the manifest was torn apart. In the
context of swadeshi and boycott agitation, performative spaces like
theatre, jatra, and songs did not just serve as a forum for
disseminating the notions of nationhood put forward by the
intellectuals. The ideas gained a life of their own once they were
placed in the performative space. Encompassing both the performer
and the audience/recipient of the ideas, the notion underwent a
change at various planes of consciousness. The notion of nation, as
disseminated by the performances, acquired a different meaning at
the level of enactment, and attained an entirely new substance when
received by the audience. None of these exchanges occurred in
complete passivity of any one party present in the performative
space. Consequently, the emergent emotion of nationhood developed
as a nuanced image of 'self'. This book has tried to locate the
beginning of that emotion of national 'self'.
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