This innovative volume testifies to the current revived interest in
Shakespeare's language and style and opens up new and captivating
vistas of investigation. Transcending old boundaries between
literary and linguistic studies, this engaging collaborative book
comes up with an original array of theoretical approaches and new
findings. The chapters in the collection capture a rich diversity
of points of view and cover such fields as lexicography,
versification, dramaturgy, rhetorical analyses, cognitive and
computational corpus-based stylistic studies, offering a holistic
vision of Shakespeare's uses of language. The perspective is
deliberately broad, confronting ideas and visions at the
intersection of various techniques of textual investigation. Such
novel explorations of Shakespeare's multifarious artistry and
amazing inventiveness in his use of language will cater for a broad
range of readers, from undergraduates, postgraduates, scholars and
researchers, to poetry and theatre lovers alike.
General
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