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Haram in the Harem - Domestic Narratives in India and Algeria (Hardcover, New edition)
Loot Price: R1,808
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Haram in the Harem - Domestic Narratives in India and Algeria (Hardcover, New edition)
Series: Postcolonial Studies, 8
Expected to ship within 12 - 17 working days
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Haram in the Harem focuses on the differences in nationalist
discourse regarding women and the way female writers conceptualized
the experience of women in three contexts: the middle-class Muslim
reform movement, the Algerian Revolution, and the Partition of
India. During each of these periods the subject of women, their
behavior, bodies, and dress were discussed by male scholars,
politicians, and revolutionaries. The resonating theme amongst
these disparate events is that women were believed to be best
protected when they were ensconced within their homes and governed
by their families, particularly male authority, whether they were
fathers, brothers, or husbands. The threat to national identity was
often linked to the preservation of womanly purity. Yet for the
writers of this study, Ismat Chughtai (1915-1991), Assia Djebar
(1936-), and Khadija Mastur (1927-1982), the danger to women was
not in the public sphere but embedded within a domestic hierarchy
enforced by male privilege. In their fictional texts, each writer
shows how women resist, subvert, and challenge the normative
behaviors prescribed in masculine discourse. In their writings they
highlight the different ways women negotiated private spaces
between intersecting masculine hegemonies of power including
colonialism and native patriarchy. They demonstrate distinct
literary viewpoints of nation, home, and women's experiences at
particular historical moments. The choice of these various texts
reveals how fiction provided a safe space for female writers to
contest traditional systems of power. Bringing into focus the
voices and experiences of women - who existed as limited cultural
icons in the nationalist discourse - is a common theme throughout
the selected stories. This book showcases the fluidity of
literature as a response to the intersections of gender, race, and
nation.
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