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The Tender Gaze - Compassionate Encounters on the German Screen, Page, and Stage (Hardcover) Loot Price: R2,246
Discovery Miles 22 460
You Save: R267 (11%)
The Tender Gaze - Compassionate Encounters on the German Screen, Page, and Stage (Hardcover): Muriel Cormican, Jennifer Marston...

The Tender Gaze - Compassionate Encounters on the German Screen, Page, and Stage (Hardcover)

Muriel Cormican, Jennifer Marston William; Contributions by John Blair, Mary Elizabeth O'Brien, Nancy Nenno, Gary Schmidt, Erika Nelson Mukherjee, Nikhil Sathe, Lorna Martens, Anna-Rebecca Nowicki

Series: Women and Gender in German Studies

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Was R2,513 Loot Price R2,246 Discovery Miles 22 460 | Repayment Terms: R210 pm x 12* You Save R267 (11%)

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By exploring the concept of the "tender gaze" in German film, theater, and literature, this volume's contributors illustrate how perspective-taking in works of art fosters empathy and prosocial behaviors. The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the postcolonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism.

General

Imprint: Camden House
Country of origin: United States
Series: Women and Gender in German Studies
Release date: June 2021
First published: 2021
Editors: Muriel Cormican (Royalty Account) • Jennifer Marston William (Author)
Contributors: John Blair (Author) • Mary Elizabeth O'Brien (Customer) • Nancy Nenno (Contributor) • Gary Schmidt (Contributor) • Erika Nelson Mukherjee • Nikhil Sathe • Lorna Martens • Anna-Rebecca Nowicki
Dimensions: 229 x 152 x 15mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 240
ISBN-13: 978-1-64014-074-5
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > General
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LSN: 1-64014-074-3
Barcode: 9781640140745

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