This study uncovers a vital thematic unity within Blake's early work: his far-reaching use of humor. Although often dismissed as a product of his eccentricity, the comic was an essential key to Blake's concept of Vision. With special reference to Bakhtin's theory of the carnivalesque, this book offers new readings of Blake's works, demonstrating how he was influenced by contemporary theatre, verbal and visual satirists and the Shakespearean clown.
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