This is the first book to provide a comprehensive and systematic
account of the phenomenon of cinematic remaking. Drawing upon
recent theories of genre and intertextuality, Film Remakes
describes remaking as both an elastic concept and a complex
situation, one enabled and limited by the interrelated roles and
practices of industry, critics, and audiences. This approach to
remaking is developed across three broad sections: the first deals
with issues of production, including commerce and authors; the
second considers genre, plots, and structures; and the third
investigates issues of reception, including audiences and
institutions.
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