In"""The Embodied Word: Female Spiritualities, Contested
Orthodoxies, and English Religious Cultures, 1350-1700," Nancy
Bradley Warren expands on the topic of female spirituality, first
explored in her book "Women of God and Arms," to encompass broad
issues of religion, gender, and historical periodization. Through
her analyses of the variety of ways in which medieval spirituality
was deliberately and actively carried forward to the early modern
period, Warren underscores both continuities and revisions that
challenge conventional distinctions between medieval and early
modern culture.
The early modern writings of Julian of Norwich are an
illustrative starting point for Warren's challenge to established
views of English religious cultures. In a single chapter, Warren
follows the textual and devotional practices of Julian as they
influence two English Benedictine nuns in exile, and then Grace
Mildmay, a seventeenth-century Protestant gentry woman, "to shed
light on the ways in which individual encounters of the divine,
especially gendered bodily encounters expressed textually, signify
for others both personally and socio-historically." In subsequent
chapters, Warren discusses St. Birgitta of Sweden's "imitatio
Christi" in the context of the importance of Spain and Spanish
women in shaping a distinctive form of early modern Englishness
strongly aligned with medieval religious culture; juxtaposes the
fifteenth-century mystic Margery Kempe with the life and writings
of Anna Trapnel, a seventeenth-century Baptist; and treats
Catherine of Siena together with the Protestant Anne Askew and
Lollard and Recusant women. In the final chapters she focuses on
the interplay of gender and textuality in women's textual
representations of themselves and in works written by men who used
the traditions of female spirituality in the service of competing
orthodoxies.
"In five interwoven chapters, Nancy Bradley Warren expands upon
her distinguished previous work to explore the enduring symbolic
and political importance of women's religious models in the
'secular' as well as the 'religious' realms. By highlighting the
interrelation of religious and political themes in a diverse group
of women's lives and writings, Warren brilliantly demonstrates how
women shaped cultural connections between England and the Continent
during these tumultuous centuries." --Nicole Rice, St. John's
University
"A pioneering cross-period, cross-confessional, transnational
study of religious Englishwomen and their extraordinary
physical-textual corpus. Highly recommended." --David Wallace,
University of Pennsylvania
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