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Painting, Politics and the Struggle for the Ecole de Paris, 1944-1964 (Paperback)
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Painting, Politics and the Struggle for the Ecole de Paris, 1944-1964 (Paperback)
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Painting, Politics and the Struggle for the Ecole de Paris,
1944-1964 is the first book dedicated to the postwar or 'nouvelle'
Ecole de Paris. It challenges the customary relegation of the Ecole
de Paris to the footnotes, not by arguing for some hitherto
'hidden' merit for the art and ideas associated with this school,
but by establishing how and why the Ecole de Paris was a highly
significant vehicle for artistic and political debate. The book
presents a sustained historical study of how this 'school' was
constituted by the paintings of a diverse group of artists, by the
combative field of art criticism, and by the curatorial policies of
galleries and state exhibitions. By thoroughly mining the extensive
resources of the newspaper and art journal press, gallery and
government archives, artists' writings and interviews with
surviving artists and art critics, the book traces the artists,
exhibitions, and art critical debates that made the Ecole de Paris
a zone of aesthetic and political conflict. Through setting the
Ecole de Paris into its artistic, social, and political context,
Natalie Adamson demonstrates how it functioned as the defining
force in French postwar art in its defence of the tradition of
easel painting, as well as an international point of reference for
the expansion of modernism. In doing so, she presents a wholly new
perspective on the vexed relationships between painting, politics,
and national identity in France during the two decades following
World War II.
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