A selection of essays written by one of the leading critics of film
over the last two decades, this volume examines theoretical aspects
of film and television through penetrating analyses of such genres
as soap opera, documentary, comedy, and such topics as ?sight
gags?, film metaphor, point-of-view editing, and movie music.
Throughout, individual films are considered in depth. Carroll?s
essays, moreover, represent the cognitivist turn in film studies,
containing in-depth criticism of existing approaches to film
theory, and heralding a new approach.
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