The study attempts to reconstruct Goethe's views on aesthetics
prior to the period of Weimar classicism. Here we find very early
indications of a tendency toward autonomy in his theory of art and
literature. Drawing on Bourdieu's concept of the literary field,
Goethe's paradigmatic theoretical writings are subjected to an
intertextual microanalysis and at the same time related both to the
immediate circumstances of their genesis and artistic points of
reference on the one hand and to European contexts on the other.
This provides a broader backdrop against which both the specific
and the representative aspects of Goethe's non-systematic aesthetic
thinking can be usefully reviewed.
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