Michel Houellebecq posits himself as an officer of civilization,
offering a map of contemporary reality and according literature a
substantial role in the field of public involvement. His unique
style problematizes contemporary cultural processes and
deconstructs the aesthetic and ideological thought-habits that
design the collective imaginary of our era. As such, this book
seeks to analyze the particularities of Houellebecq's poetics in
the context of literary tradition, intertextual relations,
psycho-cultural aspects and social semiotics, alongside contacts
with the contemporary field of art. The author focuses on
Houellebecq's poetical differentia specifica, the unique and
innovative intersection between the cooperation with transnational
capitalism and the resentment toward ignorant indulgence in it.
This book reads Houellebecq as both iconoclastic and subversive and
at the same time as a commodity in the literary marketplace and
shows how his narratives are harnessed for the purposes of activism
in the service of engaged impact.
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