A comprehensive advanced introduction to and scholarly commentary
on the work of the Swiss writer Max Frisch, one of the leading
German-language dramatists and novelists of the late twentieth
century. One of the most influential German-language writers of the
late twentieth century, Max Frisch (1911-1991) not only has
canonical status in Europe, but has also been well received in the
English-speaking world. English translationsof his works are
available in multiple recent editions. Frisch was a recipient of
both the Buchner Award (1958), and the Peace Prize of the German
Book Trade (1976); his body of work explores questions of identity,
alienation, and ethics in modern society. He is best known for the
plays Andorra (1961), a seminal drama that examines indifference
and mass psychology in the context of the Shoah and continues to be
produced by theaters around the world, and Biedermann und die
Brandstifter (1958), another worldwide success and one of the most
frequently used texts in advanced undergraduate German courses in
the United States, as well as for his novels Stiller (1954), Homo
Faber (1957), and Mein Name sei Gantenbein (1964). Yet Frisch has
only recently begun to receive the sustained scholarly attention he
deserves: neither a comprehensive introductory volume to nor a
collaborative handbook on the works of Frisch is available in
English, a situation that this volume redresses. Contributors:
Regine Battiston, Klaus van den Berg, Olaf Berwald, Amanda
Charitina Boyd, Celine Letawe, Walter Obschlager, John D. Pizer,
Beatrice Sandberg, Caroline Schaumann, Frank Schaumann, Walter
Schmitz, Margit Unser, Daniel de Vin, Ruth Vogel-Klein, Paul A.
Youngman. Olaf Berwald is Professor of German and Chair of the
Departmentof Foreign Languages at Kennesaw State University.
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