This book explores the relationship among Romanticism,
deconstruction, and Marxism by examining tropes of sensation and
sobriety in a set of exemplary texts from Romantic literature and
contemporary literary theory.
Orrin N. C. Wang explains how themes of sensation and sobriety,
along with Marxist-related ideas of revolution and commodification,
set the terms of narrative surrounding the history of Romanticism
as a movement. The book is both polemical and critical, engaging in
debates with modern thinkers such as Paul de Man, Jacques Derrida,
Walter Benn Michaels, and Slavoj Žižek, as well as presenting fresh
readings of late eighteenth- and early nineteenth-century writers,
including Wordsworth, Kant, Shelley, Byron, Bronte, and Keats.
"Romantic Sobriety" combines deeply complex, close readings
with a broader reflection on Romanticism and its implications for
literary study. It will interest scholars who study Romanticism
from a number of perspectives, including those interested in bodily
and social consumption, the roles of addiction and abstinence in
literature, the connection between literary and visual culture, the
intersection of critical theory and Romanticism, and the
relationships among language, historical knowledge, and political
practice.
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