Rhythm and Critique presents twelve new essays from a range of
specialists to define, contextualise and challenge the concepts of
rhythm and rhythmanalysis, and includes newly translated materials
from Rudolf Laban and Henri Meschonnic. The book begins with a
genealogy of rhythm as it occurs through critical theory
literatures of the twentieth century, enabling the reader to
situate philosophical and contemporary readings that further define
rhythm as a critical term and mode of analysis.In placing emphasis
upon rhythm as cultural technique and locating its significance for
the analysis of the everyday, the book offers a clear and engaging
overview of a fascinating theoretical field. It helps map a range
of histories and approaches and considers how rhythm might now
emerge more forcefully and pertinently as a critical framing for
contemporary culture.
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