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French Art Nouveau Ceramics (Hardcover)
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French Art Nouveau Ceramics (Hardcover)
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A census conducted in 1901 indicated the existence of some 209
producers of pottery in France, employing a total of around 5,800
full-time labourers. This great activity stimulated a parallel
development in the arts, including the search for new expressions
in art pottery, giving birth to l'art nouveau, a great and eclectic
synthesis of a number of other art styles. Largely through British
arts and crafts, and the work of artists like the Manxman Archibald
Knox, it reached far back into the prehistory of Celtic art. To
this were added later medieval elements, through the gothic revival
championed by William Morris. The need for renewal, breaking away
from the neo-Classical and academia, which was the realm of the
upper-class culture, was largely theorised by John Ruskin, who
searched elsewhere for inspiration. Thus did British art nouveau
also partake of Chinese and Japanese styles, though never in so
forceful a manner as did the French aesthetic. France, on the one
side, looked back to the swirling and frivolous eighteenth century
Rococo, primarily through the influence of the Goncourt brothers,
Edmond and Jules, influential aesthetes of the mid-nineteenth
century. The book focuses especially on artists working stoneware
or gres, faience, and terracotta. It aims to provide a general
survey of the many artists working in these areas, and includes
brief accounts of the ceramics work of sculptors and painters whose
wider output is already well known.
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