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American Autobiography - Retrospect and Prospect (Paperback)
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American Autobiography - Retrospect and Prospect (Paperback)
Series: Wisconsin Studies in American Autobiography
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The first four essays review the major historical periods of
American autobiography, placing the classic texts of American
autobiographical literature from Captain John Smith to Malcolm X in
the illuminating context of lesser-known contemporary narratives.
Daniel B. Shea writes on colonial America, Lawrence Buell on the
American Renaissance, Susanna Egan on the years after the Civil
War, and Albert E. Stone on the twentieth century. The second part
of American Autobiography shows the diversity of voices, forms,
audiences, and modes of identity in the literature of American
autobiography. Provocative essays by William Boelhower and Sau-Ling
Cynthia Wong on immigrant autobiography discuss the changes in the
sense of self that occur when strangers come to a strange land.
Arnold Krupat writes about how American Indians conceptualize the
self and about the relationship between oral and written discourse.
William L. Andrews evaluates the strong body of critical theory
that has grown up around African-American autobiography, showing
how both the genre and its criticism have responded to contemporary
historical pressures. Carol Holly explores the model of personal
identity that underlies nineteenth-century women's autobiographies,
and Blanche Gelfant examines the narrative and political strategies
of Emma Goldman's autobiography, especially her use of popular
romance and melodrama. The last essay offers a more personal
perspective on contemporary autobiography: a "dialogue" between
Robert and Jane Coles about how they developed their method of
eliciting first-person oral narratives for their famous Children of
Crisis and Women of Crisis series. These essays raise theoretical
issues that are examined in Paul John Eakin's incisive
introduction: How do we define a literary genre of protean shape
and perplexing cultural multiplicity? How do we approach the
special problems created by documents that are both historical and
literary texts, ones that pose difficult questions about truth and
representation? Most important, how is the canon of American
autobiography to be constructed, and how is its history to be
written? Tracing that critical history, Eakin explains how changing
ideas about "the mainstream" and "the marginal" have revitalized
our retrospective view of American autobiography and opened up new
and exciting prospects for today's reader.
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