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Shoot the Piano Player - Francois Truffaut, Director (Paperback)
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Shoot the Piano Player - Francois Truffaut, Director (Paperback)
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When it appeared in 1960, the inspired fun of Francois Truffaut's
Shoot the Piano Player shocked and delighted critics and audiences
around the world. Its sudden shifts of tone and mood, its willful
play with genre stereotypes, and its hilarious in-jokes clearly
signaled that Jean-Luc Godard's equally innovative Breathless of
the same year was not a fluke. The two films heralded the arrival
of the so-called New Wave, sharing with other New Wave films an
insistence on low-budget, location shooting and, above all, on
cinema as the personal statement of an author. These films had a
tremendous impact on all cinematic practice. Peter Brunette's
introduction to this book gives us new insight into the film, based
in part on revisualizing it in terms of recent postmodern and
poststructuralist thinking. He argues, in effect, that Truffaut was
one of the directors who paved the way for a postmodern aesthetic.
The volume also contains a complete and accurate continuity script
of the film (based on the authoritative, wide-screen version), a
series of interviews with Truffaut (including one by Helene Laroche
Davis, previously unpublished), a large number of reviews and
essays, a filmography, and selected bibliography. Peter Brunette is
a professor of English and film studies at George Mason University.
He is the author of Roberto Rossellini and co-author of
Screen/Play: Derrida and Film Theory.
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