Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Conceptual art
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Philosophy and Conceptual Art (Hardcover)
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Philosophy and Conceptual Art (Hardcover)
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The fourteen prominent analytic philosophers writing here engage
with the cluster of philosophical questions raised by conceptual
art. They address four broad questions: What kind of art is
conceptual art? What follows from the fact that conceptual art does
not aim to have aesthetic value? What knowledge or understanding
can we gain from conceptual art? How ought we to appreciate
conceptual art?
Conceptual art, broadly understood by the contributors as
beginning with Marcel Duchamp's ready-mades and as continuing
beyond the 1970s to include some of today's contemporary art, is
grounded in the notion that the artist's 'idea' is central to art,
and, contrary to tradition, that the material work is by no means
essential to the art as such. To use the words of the conceptual
artist Sol LeWitt, "In conceptual art the idea of the concept is
the most important aspect of the work...and the execution is a
perfunctory affair," Given this so-called "dematerialization" of
the art object, the emphasis on cognitive value, and the frequent
appeal to philosophy by many conceptual artists, there are many
questions that are raised by conceptual art that should be of
interest to analytic philosophers. Why, then, has so little work
been done in this area? This volume is most probably the first
collection of papers by analytic Anglo-American philosophers
tackling these concerns head-on.
Contributors:
Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies,
Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque,
Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens,
Kathleen Stock, Carolyn Wilde, and the "Art & Language" group.
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