This monograph traces the history of Kazakh filmmaking from its
conception as a Soviet cultural construction project to its peak as
fully-fledged national cinema to its eventual re-imagining as an
art-house phenomenon. The author's analysis places leading
directors-Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet
Khodzhikov, Mazhit Begalin-in their sociopolitical and cultural
context.
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