For the first time, this book tells the 'lost' story of the 1930s
Western. Written from a concern to understand Western films
primarily as products of Hollywood's studio system, it recovers the
context in which Westerns were produced, exhibited and viewed in
the 1930s. Peter Stanfield highlights the hitherto marginalised 'B'
or 'series' Western, the significance of female audiences, the role
of independent exhibitors and of censorship in shaping film
production. Includes illustrations from the following films:
Arizona, The Big Trail, Billy the Kid, Cimarron, Destry Rides
Again, Dodge City, In Old Arizona, In Old Santa Fe, Jesse James,
The Lash, Let Freedom Ring, Oh, Susanna!, Oklahoma Kid, The
Plainsman, Ramona, Santa Fe Trail, Stand Up and Fight, Three
Godfathers, Trail of the Lonesome Pine, Tumbling Tumbleweeds, Union
Pacific, Virginia City, The Virginian, The Westerner.
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