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History, Imagination and the Performance of Music (Hardcover, New)
Loot Price: R3,027
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History, Imagination and the Performance of Music (Hardcover, New)
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Both a defence of research aiming to recover how music sounded in
the past and an argument for the application of such historical
research to performance. The legitimacy of applying historical
research to musical performance has been much argued about in
recent years. Those advocating historical authenticity have been
attacked on philosophical, aesthetic, and even practical
grounds.This book both defends the practical value of trying to
determine how music sounded in the past and develops an
intellectual and musical justification for relating historical
research to performance. From the outset Peter Walls stresses the
need for research driven by curiosity rather than by the desire to
justify a particular approach. Arguing that a performance
determined entirely by historical rules is an impossibility, he
asserts that the imaginationis inevitably involved. His book
envisages a relationship between historical knowledge and
imagination that is dynamic and stimulating. Case studies range
from printing formats and performance in seventeenth-century violin
music,to tracking composer intention through the rehearsal and
production phases of nineteenth and twentieth century operas. PETER
WALLS is professor of music at Victoria University of Wellington,
and chief executive of the New Zealand Symphony Orchestra.
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