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Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre - Shifting Paradigms in Early English Drama Studies (Hardcover)
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Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre - Shifting Paradigms in Early English Drama Studies (Hardcover)
Series: Variorum Collected Studies
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In this selection of research articles Butterworth focuses on
investigation of the practical and technical means by which early
English theatre, from the fifteenth to the early seventeenth
century, was performed. Matters of staging for both 'pageant
vehicle' and 'theatre-in-the-round' are described and analysed to
consider their impact on playing by players, expositors, narrators
and prompters. All these operators also functioned to promote the
closely aligned disciplines of pyrotechnics and magic (legerdemain
or sleight of hand) which also influence the nature of the
presented theatre. The sixteen chapters form four clearly
identified parts-staging, playing, pyrotechnics and magic-and
drawing on a wealth of primary source material, Butterworth
encourages the reader to rediscover and reappreciate the actors,
magicians, wainwrights and wheelwrights, pyrotechnists, and (in
modern terms) the special effects people and event managers who
brought these early texts to theatrical life on busy city streets
and across open arenas. The chapters variously explore and analyse
the important backwaters of material culture that enabled,
facilitated and shaped performance yet have received scant
scholarly attention. It is here, among the itemised payments to
carpenters and chemists, the noted requirements of mechanics and
wheelwrights, or tucked away among the marginalia of suppliers of
staging and ingenious devices that Butterworth has made his
stamping ground. This is a fascinating introduction to the very
'nuts and bolts' of early theatre. Staging, Playing, Pyrotechnics
and Magic: Conventions of Performance in Early English Theatre is a
closely argued celebration of stagecraft that will appeal to
academics and students of performance, theatre history and medieval
studies as well as history and literature more broadly. It
constitutes the eighth volume in the Routledge series Shifting
Paradigms in Early English Drama Studies and continues the valuable
work of that series (of which Butterworth is a general editor) in
bringing significant and expert research articles to a wider
audience.
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