In his survey of cinematographic practice from 1918 to 1936,
Cavendish draws attention to the creative input of the cameraman
and describes methods of collaboration between directors and camera
operators who were often of differing cultural outlooks. He relates
his study of film to parallel trends in still-photography and
painting, and traces the continuing impact of pre-revolutionary
cinematic norms on the production process.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!