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Ridiculous Critics - Augustan Mockery of Critical Judgment (Hardcover)
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Ridiculous Critics - Augustan Mockery of Critical Judgment (Hardcover)
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Ridiculous Critics is an anthology of eighteenth-century writings
on the figure of the literary critic, the newly terrifying censor,
the opinionated or foolish drudge who becomes centrally important
in the literary world as the mediator between writers and the
literary public, inspiring fear, ridicule and wild compensatory
imaginings. The collection of critical texts and satirical images
is assembled chronologically to reform our vision of the history of
eighteenth-century literary criticism. The passages reproduced are
taken from critics, poets, novelists and literary commentators
celebrated and obscure; they range through poetry, fiction, drama,
and periodical writing. The anthology is accompanied by two
original essays explaining and illustrating the irrepressible
spirit of critical ridicule in the period, and commending its value
and effect. Of these essays, the first offers an evaluation of the
merciless and sometimes shockingly venomous satirical attacks on
critical habits and personalities of the eighteenth century. The
editors argue that such attacks are reflexive, in the sense that
literature and criticism become increasingly supple and able to
observe and examine their own limitless, irresponsible ingenuities
from within. The volume s concluding essay supplies an analysis of
modern modes of criticism and critical history, and makes
comparisons or suggests applications across time. The
eighteenth-century mockery of critics is shown to cast light on a
neglected common thread in the history of criticism and its recent
manifestations; it prompts questions about the relative absence of
comedy from the stories we presently tell about critics dead or
alive. The passages invite laughter both with the critics and at
their expense, and they suggest the place that ridicule (both
verbal and visual) might have had since the eighteenth century in
the making of judgments, and in the pricking of critical
portentousness and pretension. For this reason, they indicate the
role that laughter may still have in criticism today and provide an
encouraging precedent for more of it."
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