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Books > History > World history > From 1900 > Second World War
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Jewish Music and Modernity (Hardcover)
Loot Price: R1,708
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Jewish Music and Modernity (Hardcover)
Series: AMS Studies in Music
Expected to ship within 12 - 17 working days
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Is there really such a thing as Jewish music? And how does it
survive as a practice of worship and cultural expression even in
the face of the many brutal aesthetic and political challenges of
modernity? In Jewish Music and Modernity, Philip V. Bohlman imparts
these questions with a new light that transforms the very
historiography of Jewish culture in modernity.
Based on decades of fieldwork and archival study throughout the
world, Bohlman intensively examines the many ways in which music
has historically borne witness to the confrontation between modern
Jews and the world around them. Weaving a historical narrative that
spans from the end of the Middle Ages to the Holocaust, he moves
through the vast confluence of musical styles and repertories. From
the sacred and to the secular, from folk to popular music, and in
the many languages in which it was written and performed, he
accounts for areas of Jewish music that have rarely been considered
before. Jewish music, argues Bohlman, both survived in isolation
and transformed the nations in which it lived. When Jews and Jewish
musicians entered modernity, authenticity became an ideal to be
supplanted by the reality of complex traditions. Klezmer music
emerged in rural communities cohabited by Jews and Roma; Jewish
cabaret resulted from the collaborations of migrant Jews and
non-Jews to the nineteenth-century metropoles of Berlin and
Budapest, Prague and Vienna; cantors and composers experimented
with new sounds. The modernist impulse from Felix Mendelssohn to
Gustav Pick to Arnold Schoenberg and beyond became possible because
of the ways music juxtaposed aesthetic and cultural differences.
Jewish Music and Modernity demonstrateshow borders between
repertories are crossed and the sound of modernity is enriched by
the movement of music and musicians from the peripheries to the
center of modern culture. Bohlman ultimately challenges readers to
experience the modern confrontation of self and other anew.
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