Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Epic Arts in Renaissance France (Hardcover, New)
Loot Price: R3,538
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Epic Arts in Renaissance France (Hardcover, New)
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Epic Arts in Renaissance France studies the relationship between
epic literature and other art forms such as painting, sculpture,
and architecture. Why, the book asks, the epic heroes and themes so
ubiquitous in French Renaissance art are widely celebrated whereas
the same period's literary epics, frequently maligned, now go
unread? To explore this paradox, the book investigates a number of
epic building sites, i.e. specific situations in which literary
epics either become the basis for realisations in other art forms
or somehow contest or compete with them. Beginning with a detour
about the appearance of epic heroes (Odysseus and Aeneas) on
marriage chests in fifteenth-century Florence, the study traces how
French communities of readers, writers, translators, and artists
reinvent epic forms in their own-or their patron's-image. Following
extended discussion of three galleries in different regions of
France, which all depicted key scenes from the classical epics of
Homer, Virgil, and Lucan, the book turns to epics written in the
period. Chapters of Epic Arts focus on Etienne Dolet's Fata, which
praise the victories (but also failures) of Francois Ier in ways
that make it both a continuum of Fontainebleau and a response to
the celebration of French defeat in foreign paintings; on Ronsard's
Franciade, whose muse was depicted on the facade of the Louvre and
whose story was eventually taken up in a long series of paintings
by Toussaint Dubreuil; and on Agrippa d'Aubigne's Protestant
Tragiques, which allude to, and frequently function as graffiti
over, Catholic works of art in Paris and Rome. Situated at the
frontier of literary criticism and art history, Epic Arts in
Renaissance France is a compelling call for a revaluation of French
epic literature and indeed of how we read.
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