Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and Indian Cinemas - "Local Habitations" (Hardcover)
Loot Price: R3,905
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Shakespeare and Indian Cinemas - "Local Habitations" (Hardcover)
Series: Routledge Studies in Shakespeare
Expected to ship within 12 - 17 working days
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This book is the first to explore the rich archive of Shakespeare
in Indian cinemas, including less familiar, Indian language cinemas
to contribute to the assessment of the expanding repertoire of
Shakespeare films worldwide. Essays cover mainstream and regional
Indian cinemas such as the better known Tamil and Kannada, as well
as the less familiar regions of the North Eastern states. The
volume visits diverse filmic genres, starting from the earliest
silent cinema, to diasporic films made for global audiences,
television films, independent films, and documentaries, thus
expanding the very notion of 'Indian cinema' while also looking at
the different modalities of deploying Shakespeare specific to these
genres. Shakespeareans and film scholars provide an alternative
history of the development of Indian cinemas through its
negotiations with Shakespeare focusing on the inter-textualities
between Shakespearean theatre, regional cinema, performative
traditions, and literary histories in India. The purpose is not to
catalog examples of Shakespearean influence but to analyze the
interplay of the aesthetic, historical, socio-political, and
theoretical contexts in which Indian language films have turned to
Shakespeare and to what purpose. The discussion extends from the
content of the plays to the modes of their cinematic and
intermedial translations. It thus tracks the intra-Indian flows and
cross-currents between the various film industries, and intervenes
in the politics of multiculturalism and inter/intraculturalism
built up around Shakespearean appropriations. Contributing to
current studies in global Shakespeare, this book marks a discursive
shift in the way Shakespeare on screen is predominantly theorized,
as well as how Indian cinema, particularly 'Shakespeare in Indian
cinema' is understood.
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