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Boats on the Marne - Jean Renoir's Critique of Modernity (Hardcover)
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Boats on the Marne - Jean Renoir's Critique of Modernity (Hardcover)
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Boats on the Marne offers an original interpretation of Jean
Renoir's celebrated films of the 1930s, treating them as a coherent
narrative of philosophical response to the social and political
crises of the times. Grounded in a reinterpretation of the
foundational film-philosopher Andre Bazin, and drawing on work from
a range of disciplines (film studies, art history, comparative
literature, political and cultural history), the book's coordinated
consideration of Renoir's films, writings, and interviews
demonstrates his obsession with the concept of romanticism. Renoir
saw romanticism to be a defining feature of modernity, a
hydra-headed malady which intimately shapes our personal lives,
culture, and politics, blinding us and locking us into agonistic
relationships and conflict. While mapping the popular
manifestations of romanticism that Renoir engaged with at the time,
this study restores the philosophic weight of his critique by
tracing the phenomenon back to its roots in the work and influence
of Jean-Jacques Rousseau, who first articulated conceptions of
human desire, identity, community, and history that remain
pervasive today. Prakash Younger argues that Renoir's films of the
1930s articulate a multi-stranded narrative through which the
director thinks about various aspects of romanticism and explores
the liberating possibilities of an alternative paradigm illuminated
by the thought of Plato, Montaigne, and the early Enlightenment.
When placed in the context of the long and complex dialogue Renoir
had with his audience over the course of the decade, masterpieces
such as La Grande Illusion and La Regle du Jeu reveal his profound
engagement with issues of political philosophy that are still very
much with us today.
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