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The Road to the Never Land - A Reassessment of J M Barrie's Dramatic Art (Paperback)
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The Road to the Never Land - A Reassessment of J M Barrie's Dramatic Art (Paperback)
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Sir James Barrie's fall from critical grace has been spectacular.
Ranked in his own day with Shaw and Hardy, he is now usually
dismissed as superficial, sentimental and commercial to the point
of artistic dishonesty. Professor Jack argues that the
naturalistic, psychological and national criteria used to condemn
him are at odds with his proclaimed purposes. Using Barrie's own
literary theory as contained in Sentimental Tommy and elsewhere, he
measures the playwright against the standards of a perspectival art
founded on the perceived needs of its audience. Barrie's thought
and theatrical skills are traced through the apprentice works of
the Victorian period - Walker, London, The Professor's Love Story,
The Little Minister, The Wedding Guest. Major debts to Shakespeare
and to Ibsen are con-sidered in the light of Barrie's intention of
becom-ing 'the heaviest writer of his time.' A compulsive reviser
and perfectionist, he struggles to find a dramatic form capable of
combining pleasing myth with harshest truth. The major plays of
1902-4 are radically reas-sessed and the older claim for Barrie's
genius resurrected on new critical grounds. Quality Street is
related to the metaphysical clash between Chris-tianity and
Darwinism; The Admirable Crichton's many endings are seen - not as
a sign of uncer-tainty - but as an anticipation of the
deconstructionist's concern with form's defeat by meaning. Little
Mary ('the too-too-obvious riddle') is re-vealed in all its
allegorical complexity as a biting satire on the Irish problem and
the English upper class. Peter Pan ends this stage of Barrie's
pil-grimage, drawing his major concerns into the com-prehensive
form of a Creation Myth, owing much to Nietzsche and Roget. First
published in 1991 and now reprinted with corrections.
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