We know Robert Schumann in many ways: as a visionary composer, a
seasoned journalist, a cultured man of letters, and a genius who,
having passed his mantle on to the young Brahms, succumbed to
mental illness in 1856. Drawing on recent pathbreaking research,
this collection offers new perspectives on this seminal
nineteenth-century figure.
In Part I, Leon Botstein and Michael P. Steinberg assess
Schumann's efforts to place music at the center of German culture,
in public and private sectors. Bernhard R. Appel offers a probing
source study of one of Schumann's most personal works, the "Album
fur die Jugend, " Op. 68, while John Daverio considers the generic
identity of "Das Paradies und die Peri, " and Jon W. Finson
reexamines the first version of the Eichendorff "Liederkreis." Gerd
Nauhaus investigates Schumann's approach to the symphonic finale,
and R. Larry Todd considers the intractable issue of quotations and
allusions in Schumann's music. Part II presents letters and
memoirs, including unpublished correspondence between Clara
Schumann and Felix and Paul Mendelssohn-Bartholdy. In Part III,
conflicting critical views of Schumann are juxtaposed. Some of
these sources are translated into English for the first time.
Originally published in 1994.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
its founding in 1905."
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