Since Late Antiquity the biblical epic has been one of the most
lively literary genres. It was practised not only in scholarly but
also popular languages. This study deals with biblical epic in the
Early Modern Age, a subject that has been neglected to date.
Chronologically it follows on from the fundamental works of Herzog
and Kartschoke. It looks not just at theoretical aspects of the
genre, but also at questions of the forms and functions of European
biblical epic and the reception of biblical content. A repertory of
the genre is arranged according to systematic aspects.
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