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Books > Language & Literature > Literature: history & criticism > Literary studies
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Making Sense - Sense Perception in the British Novel of the 1980s and 1990s (Paperback)
Loot Price: R2,415
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Making Sense - Sense Perception in the British Novel of the 1980s and 1990s (Paperback)
Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 81
Expected to ship within 10 - 15 working days
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Fiction is fascinating. All it provides us with is black letters on
white pages, yet while we read we do not have the impression that
we are merely perceiving abstract characters. Instead, we see the
protagonists before our inner eye and hear their voices.
Descriptions of sumptuous meals make our mouths water, we feel
physically repelled by depictions of violence or are aroused by the
erotic details of sexual conquests. We submerge ourselves in the
fictional world that no longer stays on the paper but comes to life
in our imagination. Reading turns into an out-of-the-body
experience or, rather, an in-another-body experience, for we
perceive the portrayed world not only through the protagonist's
eyes but also through his ears, nose, tongue, and skin. In other
words, we move through the literary text as if through a virtual
reality. How does literature achieve this trick? How does it turn
mere letters into vividly experienced worlds? This study argues
that techniques of sensuous writing contribute decisively to
bringing the text to life in the reader's imagination. In detailed
interpretations of British novels of the 1980s and 1990s by writers
such as John Berger, John Banville, Salman Rushdie, Jeanette
Winterson, or J. M. Coetzee, it uncovers literary strategies for
turning the sensuous experience into words and for conveying it to
the reader, demonstrating how we make sense in, and of, literature.
Both readers interested in the contemporary novel and in the
sensuousness of the reading experience will profit from this
innovative study that not only analyses the interest of
contemporary authors in the senses but also pin-points literary
entry points for the sensuous force of reading.
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