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Books > Language & Literature > Literature: history & criticism > Poetry & poets
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Misreading England - Poetry and Nationhood Since the Second World War (Paperback)
Loot Price: R2,411
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Misreading England - Poetry and Nationhood Since the Second World War (Paperback)
Series: Costerus New Series, 142
Expected to ship within 10 - 15 working days
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In Misreading England: Poetry and Nationhood Since the Second World
War, Raphael Ingelbien examines how issues of nationhood have
affected the works and the reception of several English and Irish
poets - Philip Larkin, Ted Hughes, Geoffrey Hill and Seamus Heaney.
This study explores the interactions between post-war English poets
and the ways in which they transformed or misread earlier poetic
visions of England - Romantic, Georgian, Modernist. It also traces
often neglected but crucial links between their troubled poetics of
Englishness and Seamus Heaney's poetry of Irish nationhood. This
radically intertextual approach takes issue with influential
accounts of post-war poetry that have drawn on postcolonialism.
Instead of being made to reflect contemporary agendas, the poetics
of nationhood are here considered in all their textual and
ideological complexity, and restored to the historical,
intellectual and literary contexts which postcolonial emphases on
identity often play down or simplify. Whereas critics in
post-devolution Britain increasingly use texts to debunk or promote
specific versions of national identity, this study interrogates the
very terms in which the debate has been conducted. Its metacritical
analyses expose the contradictions of identity politics, and its
intertextual readings help re-draw the map of post-war poetry in
Britain and Ireland.
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