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Perpetrator Cinema - Confronting Genocide in Cambodian Documentary (Paperback)
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Perpetrator Cinema - Confronting Genocide in Cambodian Documentary (Paperback)
Series: Nonfictions
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Perpetrator Cinema explores a new trend in the cinematic depiction
of genocide that has emerged in Cambodian documentary in the late
twentieth- and early twenty-first centuries. While past films
documenting the Holocaust and genocides in Yugoslavia, Rwanda, and
elsewhere have focused on collecting and foregrounding the
testimony of survivors and victims, the intimate horror of the
autogenocide enables post-Khmer Rouge Cambodian documentarians to
propose a direct confrontation between the first-generation
survivor and the perpetrator of genocide. These films break with
Western tradition and disrupt the political view that
reconciliation is the only legitimate response to atrocities of the
past. Rather, transcending the perpetrator's typical denial or
partial confession, this extraordinary form of "duel" documentary
creates confrontational tension and opens up the possibility of a
transformation in power relations, allowing viewers to access
feelings of moral resentment. Raya Morag examines works by Rithy
Panh, Rob Lemkin and Thet Sambath, and Lida Chan and Guillaume
Suon, among others, to uncover the ways in which filmmakers
endeavor to allow the survivors' moral status and courage to guide
viewers to a new, more complete understanding of the processes of
coming to terms with the past. These documentaries show how moral
resentment becomes a way to experience, symbolize, judge, and
finally incorporate evil into a system of ethics. Morag's analysis
reveals how perpetrator cinema provides new epistemic tools and
propels the recent social-cultural-psychological shift from the era
of the witness to the era of the perpetrator.
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