On October 7, Israeli territory around the Erez border of Gaza Strip was invaded by Hamas’s Al-Qassam Brigades, killing over 1,000 people. In response to this, the people of Gaza have been subjected to nearly eight months of wholesale genocide. Over 36,000 civilians have been killed, an estimated million made homeless and displaced, tens of thousands injured, and an entire population traumatised. Never in living history has such an atrocity been perpetrated in plain sight of the world’s leaders and mainstream media, who have all managed to give it their complete backing. Images and video clips of hourly horrors and tragedies have spread around the world, combatted by fake news propagated not by dark conspiratorial corners on the web, but by corporate media outlets and politicians.

Baseless Israeli propaganda and deliberately-biased framing has been fed to journalists and repeated, without question, on the front pages of the world’s newspapers and in the mouths of TV pundits and politicians.

One of the few voices of Gaza to make it out into Western media has been that of writer Atef Abu Saif, whose edited diary entries have been occasionally serialised in The New York Times, Washington Post, Le Monde and elsewhere. Here, the complete, unedited diaries show the journey of a man who arrived in Gaza just a few days before October 7 as a government minister and ended the period, like most other Palestinians, living in a tent in a refugee camp.

A bold, urgent appeal from the acclaimed columnist and political commentator, addressing one of the most important issues of our time.

In Peter Beinart’s view, one story dominates Jewish communal life: that of persecution and victimhood. It is a story that erases much of the nuance of Jewish religious tradition and warps our understanding of Israel and Palestine. After Gaza, where Jewish texts, history, and language have been deployed to justify mass slaughter and starvation, Beinart argues, Jews must tell a new story. After this war, whose horror will echo for generations, they must do nothing less than offer a new answer to the question: What does it mean to be a Jew?

Beinart imagines an alternate narrative, which would draw on other nations’ efforts at moral reconstruction and a different reading of Jewish tradition. A story in which Israeli Jews have the right to equality, not supremacy, and in which Jewish and Palestinian safety are not mutually exclusive but intertwined. One that recognizes the danger of venerating states at the expense of human life.

Being Jewish After the Destruction of Gaza is a provocative argument that will expand and inform one of the defining conversations of our time. It is a book that only Peter Beinart could write: a passionate yet measured work that brings together his personal experience, his commanding grasp of history, his keen understanding of political and moral dilemmas, and a clear vision for the future.

In 1979, the SADF established a highly clandestine unit, called Delta40 or D40 in short. This ultra­secret unit was tasked with the dirty work of “disappearing” hundreds of ANC, PAC and Swapo actvisits. With the help of Project Coast, D40 poisoned political activists and prisoners of war before dumping their bodies into the ocean from a light aircraft.

Even some of the SADF’s own special force members became victims of these ‘death flights’ when they threatened to expose the secret work of D40. D40 was renamed Barnacle and eventually became the well­known Civil Co­operation Bureau (CCB), but the existence and operations of D40 remained almost unknown until now. Its role in state­sanctioned murders was a well­kept secret.

Seasoned investigative journalist Michael Schmidt interviewed veteran D40, Barnacle and CCB operatives, as well as Recce commanders and double­agents, to piece together this top­secret history. With Death Flight he uncovers black ops kept hidden for decades

A gripping and explosive account of Vladimir Putin's tyranny, charting his rise from spy to tsar, exposing the events that led to his invasion of Ukraine and his assault on Europe.

In Killer in the Kremlin, award-winning journalist John Sweeney takes readers from the heart of Putin's Russia to the killing fields of Chechnya, to the embattled cities of an invaded Ukraine.

In a disturbing exposé of Putin's sinister ambition, Sweeney draws on thirty years of his own reporting - from the Moscow apartment bombings to the atrocities committed by the Russian Army in Chechnya, to the annexation of Crimea and a confrontation with Putin over the shooting down of flight MH17 - to understand the true extent of Putin's long war.

Drawing on eyewitness accounts and compelling testimony from those who have suffered at Putin's hand, we see the heroism of the Russian opposition, the bravery of the Ukrainian resistance, and the brutality with which the Kremlin responds to such acts of defiance, assassinating or locking away its critics, and stopping at nothing to achieve its imperialist aims.

In the midst of one of the darkest acts of aggression in modern history - Russia's invasion of Ukraine - this book shines a light on Putin's rule and poses urgent questions about how the world must respond.

In 1144, the mutilated body of William of Norwich, a young apprentice leatherworker, was found abandoned outside the city's walls. The boy bore disturbing signs of torture, and a story soon spread that it was a ritual murder, performed by Jews in imitation of the Crucifixion as a mockery of Christianity. The outline of William's tale swiftly gained currency far beyond Norwich, and the idea that Jews engaged in ritual murder became firmly rooted in the European imagination. E.M Rose's engaging book delves into the story of William's murder and the notorious trial that followed to uncover the origin of the ritual murder accusation-known as the "blood libel"-in western Europe in the Middle Ages. Focusing on the specific historical context-the 12th-century reform of the Church, the position of Jews in England, and the Second Crusade-and suspensefully unraveling the facts of the case, Rose makes a powerful argument for why the Norwich Jews (and particularly one Jewish banker) were accused of killing the youth, and how the malevolent blood libel accusation managed to take hold. She also considers four "copycat" cases, in which Jews were similarly blamed for the death of young Christians, and traces the adaptations of the story over time. In the centuries after its appearance, the ritual murder accusation provoked instances of torture, death and expulsion of thousands of Jews and the extermination of hundreds of communities. Although no charge of ritual murder has withstood historical scrutiny, the concept of the blood libel is so emotionally charged and deeply rooted in cultural memory that it endures even today. Rose's groundbreaking work, driven by fascinating characters, a gripping narrative, and impressive scholarship, provides clear answers as to why the blood libel emerged when it did and how it was able to gain such widespread acceptance, laying the foundations for enduring anti-Semitic myths that continue to the present.

This study deals with the phenomenon of genocide denialism, and in particular how it operates in the context of the genocide against the Tutsi. The term genocide denialism denotes that we are not dealing with a single act or type of (genocide) denial but with a more elaborate process of denial that involves a variety of denialist and denial-like acts that are part of the process of genocide. From this study it becomes clear that the process of genocide thrives on a more elaborate denial dynamic than recognized in expert literature until now. This study consists of three parts. The first theoretical part analyses what the elements of denial and genocide entail and how they are (inter)related. The exploration results in a typology of genocide denialism. This model clarifies the different functions denial performs throughout the process of genocide. It furthermore explains how actors engage in denial and on which rhetorical devices speech acts of denial rely. The second part of the study focuses on denial in practice and it analyses how denial operates in the particular case of the genocide against the Tutsi. The analysis reveals a complex denial dynamic: not only those who perpetrated the genocide are involved in its denial, but also certain Western scholars, journalists, lawyers, etc. The latter were originally not involved in the genocide but recycle (elements of) the denial discourse of the perpetrators. The study addresses the implications of such recycling and discusses whether these actors actually have become involved in the genocidal process. This sheds light on the complex relationship between genocide and denial. The insights gained throughout the first two parts of this study have significant implications for many other actors that through their actions engage with the flow of meaning concerning the specific events in Rwanda or genocide in general. The final part of this study critically reflects on the actions of a variety of actors and their significance in terms of genocide denialism. These actors include scholars from various fields, human rights organisations, the ICTR, and the government of Rwanda. On a more fundamental level this study critically highlights how the revisionist scientific climate, in which knowledge and truth claims are constantly questioned, is favourable to genocide denialism and how the post-modern turn in academia has exacerbated this climate. Ultimately, this study reveals that the phenomenon of genocide denial involves more than perpetrators denying their genocidal crimes and the scope of actors and actions relevant in terms of genocide denialism is much broader than generally assumed.

Sacred Justice is a cross-genre book that uses narrative, memoir, unpublished letters, and other primary and secondary sources to tell the story of a group of Armenian men who organized Operation Nemesis, a covert operation created to assassinate the Turkish architects of the Armenian Genocide. The leaders of Operation Nemesis took it upon themselves to seek justice for their murdered families, friends, and compatriots. Sacred Justice includes a large collection of previously unpublished letters, found in the upstairs study of the author's grandfather, Aaron Sachaklian, one of the leaders of Nemesis, that show the strategies, personalities, plans, and dedication of Soghomon Tehlirian, who killed Talaat Pasha, a genocide leader; Shahan Natalie, the agent on the ground in Europe; Armen Garo, the center of Operation Nemesis; Aaron Sachaklian, the logistics and finance officer; and others involved with Nemesis. Marian Mesrobian MacCurdy tells a story that has been either hidden by the necessity of silence or ignored in spite of victims' narratives-the story of those who attempted to seek justice for the victims of genocide and the effect this effort had on them and on their families. Ultimately, this volume reveals how the narratives of resistance and trauma can play out in the next generation and how this resistance can promote resilience.

One of the oldest living Holocaust survivors recounts her family’s imprisonment at Auschwitz and Bergen-Belsen in this moving memoir of love, loss, courage, and hope.

When German soldiers invaded Poland in September 1939, it began a six year journey for then-ten-year-old Renee Salt and her mother Sala. Until their liberation in 1945, Renee and Sala were imprisoned in ghettos and concentration camps, including Auschwitz-Birkenau and Bergen-Belsen. The only light in the darkness and brutality for Renee was the unwavering grasp of her mother’s hand in hers–enduring, against all odds.

It was this unbreakable bond, along with a few miracles, that kept Renee alive. Sala’s staggering courage to defy the will of SS guards saved both her and her daughter from the gas chambers, and the pair survived the deadliest days in Auschwitz’s history.

After suffering the nightmarish conditions at Bergen-Belsen, Renee and her mother were liberated in April 1945–but Sala died soon after they were saved. To this day, Renee attributes her survival to the love and bravery of her beloved mother.

Do Not Cry When I Die is an incredibly moving and deeply crucial book that tells the shocking story of one of the oldest Auschwitz-Birkenau and Bergen-Belsen survivors–and the mother’s love that saved her life.

Providing an intellectual biography of the challenging concept of genocide from inception to present day, this topical Handbook takes an interdisciplinary approach to shed new light on the events, processes, and legacies in the field. Reaching beyond the traditional study of canonical genocides and related pathologies of behaviour, this Handbook strives to spell out the multiple dimensions of genocide studies as an academic realm. In doing so, it incorporates a vast range of methods and disciplines, including historiography, archival research, listening to testimony, philosophical inquiry, film studies, and art criticism. Contributors address a broad array of episodes, including genocides of indigenous populations in the Americas and Africa, the Armenian genocide, the Holocaust, twentieth century genocides in Indonesia, Cambodia, Rwanda, Bosnia, and twenty-first century genocides in Iraq, Myanmar, and China. By developing a cross-disciplinary framework, this Handbook showcases the diversity that comprises the field and creates a rich understanding of the origin, effects, and legacy of genocide. With a wide variety of perspectives, this Handbook will prove an invigorating read for students and scholars of international and human rights, public policy, and political geography and geopolitics, particularly those interested in genocide studies and the UN Genocide Convention.

Die Herero-opstand 1904–1907 is ’n heruitgawe van ’n boek wat ses keer tussen 1976 en 1979 deur HAUM gepubliseer is. Die lotgevalle van die Hererovolk word in hierdie boek geskets, ’n stuk geskiedenis wat ’n sentrale plek in Namibie se kleurryke geskiedenis beklee. Die opstand van die Herero’s in 1904 teen Duitse koloniale gesag kan beskou word as die enkele gebeurtenis wat die gebied se volksverhoudinge die ingrypendste verander het. Die Herero-opstand 1904–1907 vertel van die geleidelike opbou na die konflik, die skielike uitbarsting van geweld en die tragiese afloop vir die Herero’s toe duisende verhonger het en hulle grond en politieke seggenskap verloor het.

Do Not Disturb is a dramatic recasting of the modern history of Africa’s Great Lakes region, an area blighted by the greatest genocide of the twentieth century. This bold retelling, vividly sourced by direct testimony from key participants, tears up the traditional script.

In the old version, an idealistic group of young rebels overthrows a genocidal regime in Kigali, ushering in an era of peace and stability that makes Rwanda the donor darling of the West, winning comparisons with Switzerland and Singapore. The new version examines afresh questions which dog the recent past: Why do so many ex-rebels scoff at official explanations of who fired the missile that killed the presidents of Rwanda and Burundi? Why didn’t the mass killings end when the rebels took control? Why did those same rebels, victory secured, turn so ruthlessly on one another?

Michela Wrong uses the story of Patrick Karegeya, once Rwanda’s head of external intelligence and a quicksilver operator of supple charm, to paint the portrait of a modern African dictatorship created in the chilling likeness of Paul Kagame, the president who sanctioned his former friend’s murder.

The permanent five (P5) members of the United Nations Security Council ? China, France, Russia, the UK, and the USA - have a firm duty to prevent genocide in light of the due diligence standard under conventional, customary, and peremptory international law. This perceptive book explores the positive obligations of these states to act both within and without the Security Council context to prevent or suppress imminent or on-going genocide. John Heieck successfully argues why the duty to prevent genocide is not only a customary, but also an absolute norm of international law, and analyses the scope of the due diligence standard regarding the duty to prevent genocide. In doing so, he considers the ramifications of this on the actions of the P5 members of the Security Council, both within and outside of this eminent body. Significantly, Heieck proposes a legal test for identifying jus cogens norms, and explores the effect of these on the actions and omissions of specifically identified members of the United Nations (UN). Topical and insightful, A Duty to Prevent Genocide will be an important read for both academics and students of international law and politics who wish to further understand the legal nature of the duty of the P5 members to prevent genocide. It will also provide valuable insights for policymakers of the P5 member states.

Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction. A startling and profound exploration of how Jewish history is exploited to comfort the living.

Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture―and increasingly in response to a recent wave of deadly antisemitic attacks―Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.

Horn draws upon her travels, her research, and also her own family life―trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study―to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past―making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

When Lidia Maksymowicz was just a young girl, her partisan family went into hiding in the forest of Belorussia. It was there that they were arrested and taken to Auschwitz. Lidia was branded 70072, sent to the infamous ‘children’s block’ and subjected to the experiments of Dr Josef Mengele.

Having survived Auschwitz, Lidia was adopted and grew up in the industrial town of Oswiecim. She never gave up trying to find her family. In 1962, seventeen years after the liberation, she discovered that her parents were still alive and that her mother had never stopped searching for her. In Moscow, early-1960s, they were finally reunited.

Lidia has since made it her mission to share her story. In 2021, she made headlines around the world when Pope Francis kissed the tattoo that, once a symbol of separation, led her back to her mother.

The Little Girl Who Could Not Cry is a moving memoir of survival but, above all, the prevailing power of love and hope.