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Holy Ghosts - The Christian Century in Modern Japanese Fiction (Paperback)
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Holy Ghosts - The Christian Century in Modern Japanese Fiction (Paperback)
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Christians are a tiny minority in Japan, less than one percent of
the total population. Yet Christianity is ubiquitous in Japanese
popular culture. From the giant mutant "angels" of the Neon Genesis
Evangelion franchise to the Jesus-themed cocktails enjoyed by
customers in Tokyo's Christon cafe, Japanese popular culture
appropriates Christianity in both humorous and unsettling ways. By
treating the Western religion as an exotic cultural practice,
Japanese demonstrate the reversibility of cultural stereotypes and
force us to reconsider common views of global cultural flows and
East-West relations. Of particular interest is the repeated
reappearance in modern fiction of the so-called "Christian century"
of Japan (1549-1638), the period between the arrival of the Jesuit
missionaries and the last Christian revolt before the final ban on
the foreign religion. Literary authors as different as Akutagawa
Ryu-nosuke, Endo- Shu-saku, Yamada Fu-taro-, and Takemoto Novala,
as well as film directors, manga and anime authors, and videogame
producers have all expressed their fascination with the lives and
works of Catholic missionaries and Japanese converts and produced
imaginative reinterpretations of the period. In Holy Ghosts,
Rebecca Suter explores the reasons behind the popularity of the
Christian century in modern Japanese fiction and reflects on the
role of cross-cultural representations in Japan. Since the opening
of the ports in the Meiji period, Japan's relationship with
Euro-American culture has oscillated between a drive towards
Westernization and an antithetical urge to "return to Asia."
Exploring the twentieth-century's fascination with the Christian
Century enables Suter to reflect on modern Japan's complex
combination of Orientalism, self-Orientalism, and Occidentalism. By
looking back at a time when the Japanese interacted with Europeans
in ways that were both similar to and different from modern
dealings, fictional representations of the Christian century offer
an opportunity to reflect critically not only on cross-cultural
negotiation but also more broadly on both Japanese and Western
social and political formations. The ghosts of the Christian
century that haunt modern Japanese fiction thus prompt us to
rethink conventional notions of East-West exchanges, mutual
representations, and power relations, complicating our
understanding of global modernity.
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