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Radicalism in the Wilderness - International Contemporaneity and 1960s Art in Japan (Paperback)
Loot Price: R1,263
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Radicalism in the Wilderness - International Contemporaneity and 1960s Art in Japan (Paperback)
Series: Radicalism in the Wilderness
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Innovative artists in 1960s Japan who made art in the
"wilderness"-away from Tokyo, outside traditional norms, and with
little institutional support-with global resonances. 1960s Japan
was one of the world's major frontiers of vanguard art. As Japanese
artists developed diverse practices parallel to, and sometimes
antecedent to, their Western counterparts, they found themselves in
a new reality of "international contemporaneity" (kokusaiteki
dojisei). In this book Reiko Tomii examines three key figures in
Japanese art of the 1960s who made radical and inventive art in the
"wilderness"-away from Tokyo, outside traditional norms, and with
little institutional support. These practitioners are the
conceptualist Matsuzawa Yutaka, known for the principle of
"vanishing of matter" and the practice of "meditative
visualization" (kannen); The Play, a collective of "Happeners"; and
the local collective GUN (Group Ultra Niigata). The innovative work
of these artists included a visionary exhibition in Central Japan
of "formless emissions" organized by Matsuzwa; the launching of a
huge fiberglass egg-"an image of liberation"-from the southernmost
tip of Japan's main island by The Play; and gorgeous color field
abstractions painted by GUN on accumulating snow on the riverbeds
of the Shinano River. Pioneers in conceptualism, performance art,
land art, mail art, and political art, these artists delved into
the local and achieved global relevance. Making "connections" and
finding "resonances" between these three practitioners and artists
elsewhere, Tomii links their local practices to the global
narrative and illuminates the fundamentally "similar yet
dissimilar" characteristics of their work. In her reading, Japan
becomes a paradigmatic site of world art history, on the periphery
but asserting its place through hard-won international
contemporaneity.
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