The development of literature in Canada with an eye to its
multicultural, multiethnic, multilingual nature. From modest
colonial beginnings, literature in Canada has arrived at the center
stage of world literature. Works by English-Canadian writers --
both established writers such as Margaret Atwood and new talents
such as Yann Martel -- make regular appearances on international
bestseller lists. French-Canadian literature has also found its own
voice in the North American and francophone worlds. "CanLit" has
likewise developed into a staple of academic interest, pursued in
Canadian Studies programs in Canada and around the world. This
volume draws on the expertise of scholars from Canada, Germany,
Austria, and France, tracing Canadian literature from the
indigenous oral tradition to thedevelopment of English-Canadian and
French-Canadian literature since colonial times. Conceiving of
Canada as a single but multifaceted culture, it accounts for
specific characteristics of English- and French-Canadian
literatures,such as the vital role of the short story in English
Canada or that of the chanson in French Canada. Yet special
attention is also paid to Aboriginal literature and to the
pronounced transcultural, ethnically diverse character ofmuch
contemporary Canadian literature, thus moving clearly beyond the
traditions of the two founding nations. Contributors: Reingard M.
Nischik, Eva Gruber, Iain M. Higgins, Guy Lafleche, Dorothee
Scholl, Gwendolyn Davies, Tracy Ware, Fritz Peter Kirsch, Julia
Breitbach, Lorraine York, Marta Dvorak, Jerry Wasserman, Ursula
Mathis-Moser, Doris G. Eibl, Rolf Lohse, Sherrill Grace, Caroline
Rosenthal, Martin Kuester, Nicholas Bradley, Anne Nothof, Georgiana
Banita, Gilles Dupuis, and Andrea Oberhuber. Reingard M. Nischik is
Professor of American Literature at the University of Constance,
Germany.
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