As England withdrew from its empire after World War II, how did
writers living outside the United Kingdom respond to the history of
colonialism and the aesthetics of modernism within a global
context? In fourteen original essays, edited by Richard Begam and
Michael Valdez Moses, a distinguished group of scholars considers
these questions in relation to novelists, playwrights, and poets
living in English-speaking countries around the world. Modernism,
Postcolonialism, and Globalism not only examines how modernism and
postcolonialism evolved over several generations, but also situates
the writers analyzed in terms of canonical realignments inspired by
the New Modernist Studies and an array of emerging methodologies
and approaches. While this volume highlights social and political
questions connected with the end of empire, it also considers the
aesthetics of postcolonialism, detailing how writers drew upon,
responded to and, sometimes reacted against, the formal innovations
of modernism. Many of the essays consider the influence modernist
artists and movements exercised on postcolonial writers, from W. B.
Yeats, Joseph Conrad, Franz Kafka, Marcel Proust, James Joyce, T.
S. Eliot, and Virginia Woolf to Impressionism, Expressionism,
Surrealism, and Abstractionism. Modernism, Postcolonialism, and
Globalism is organized around six geographic locales and includes
essays on Africa (Chinua Achebe, Ngugi wa Thiong'o, Nadine
Gordimer, J. M. Coetzee), Asia (Salman Rushdie, Arundhati Roy), the
Caribbean (Jean Rhys, Derek Walcott, V. S. Naipaul), Ireland
(Samuel Beckett, Seamus Heaney), Australia/New Zealand (David
Malouf, Keri Hulme) and Canada (Michael Ondaatje). Examining how
Anglophone writers engaged with the literary, intellectual, and
cultural heritage of modernism, this volume offers a vital and
distinctive intervention in ongoing discussions of modern and
contemporary literature.
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