Jean-Luc Godard is one the most influential filmmakers of the last
fifty years. Scorsese, Tarantino, Wong Kar-Wai and Lars von Trier
are but a few of the directors who have fallen under the spell of
his freewheeling style. In his 1960s heyday Godard - always in dark
shades, cigarette in hand - epitomised European cool. But he
subsequently grew into one of the most formidable artists the
cinema has produced. Writer and film-maker Richard Brody, one of
the few to have interviewed Godard in his Swiss retreat, here
offers an accessible account of this extraordinary and fascinating
artist.
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