For many centuries, Hindus have taken it for granted that the
religious images they place in temples and home shrines for
purposes of worship are alive. Hindu priests bring them to life
through a complex ritual "establishment" that invokes the god or
goddess into material support. Priests and devotees then maintain
the enlivened image as a divine person through ongoing liturgical
activity: they must awaken it in the morning, bathe it, dress it,
feed it, entertain it, praise it, and eventually put it to bed at
night. In this linked series of case studies of Hindu religious
objects, Richard Davis argues that in some sense these believers
are correct: through ongoing interactions with humans, religious
objects are brought to life.
Davis draws largely on reader-response literary theory and
anthropological approaches to the study of objects in society in
order to trace the biographies of Indian religious images over many
centuries. He shows that Hindu priests and worshipers are not the
only ones to enliven images. Bringing with them differing religious
assumptions, political agendas, and economic motivations, others
may animate the very same objects as icons of sovereignty, as
polytheistic "idols," as "devils," as potentially lucrative
commodities, as objects of sculptural art, or as symbols for a
whole range of new meanings never foreseen by the images' makers or
original worshipers.
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