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Charles S. Peirce's Phenomenology - Analysis and Consciousness (Hardcover)
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Charles S. Peirce's Phenomenology - Analysis and Consciousness (Hardcover)
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No reasonable person would deny that the sound of a falling pin is
less intense than the feeling of a hot poker pressed against the
skin, or that the recollection of something seen decades earlier is
less vivid than beholding it in the present. Yet John Locke is
quick to dismiss a blind man's report that the color scarlet is
like the sound of a trumpet, and Thomas Nagel similarly avers that
such loose intermodal analogies are of little use in developing an
objective phenomenology. Charles Sanders Peirce (1839-1914), by
striking contrast, maintains rather that the blind man is correct.
Peirce's reasoning stems from his phenomenology, which has received
little attention as compared with his logic, pragmatism, or
semiotics. Peirce argues that one can describe the similarities and
differences between such experiences as seeing a scarlet red and
hearing a trumpet's blare or hearing a falling pin and feeling a
hot poker. Drawing on the Kantian idea that the analysis of
consciousness should take as its guide formal logic, Peirce
contends that we can construct a table of the elements of
consciousness, just as Dmitri Mendeleev constructed a table of the
chemical elements. By showing that the elements of consciousness
fall into distinct classes, Peirce makes significant headway in
developing the very sort of objective phenomenology which
vindicates the studious blind man Locke so derides. Charles S.
Peirce's Phenomenology shows how his phenomenology rests on his
logic, gives an account of Peirce's phenomenology as science, and
then shows how his work can be used to develop an objective
phenomenological vocabulary. Ultimately, Richard Kenneth Atkins
shows how Peirce's pioneering and distinctive formal logic led him
to a phenomenology that addresses many of the questions
philosophers of mind continue to raise today.
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