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Rabelais and Bakhtin - Popular Culture in "Gargantua and Pantagruel" (Paperback, New Ed)
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Rabelais and Bakhtin - Popular Culture in "Gargantua and Pantagruel" (Paperback, New Ed)
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List price R437
Loot Price R407
Discovery Miles 4 070
You Save R30 (7%)
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Total price: R417
Discovery Miles: 4 170
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In Rabelais and Bakhtin, Richard M. Berrong demonstrates both the
historical and textual weaknesses of the argument advanced by
Mikhail Bakhtin and his influential study Rabelais and His World.
The publication of Bakhtin's book in the West in the late 1960s
brought both Rabelais and Bakhtin to the attention of students
interested in the "New Criticism" in literature. Bakhtin agrued
that the key to Rabelais's narratives was to be found in their
language of popular culture, which was intended to free his readers
from the ideological "prison house" of official, establishment
discourse; to provide them with a nonofficial perspective from
which to view--and combat--the establishment and its institutions.
Since the publication of Bakhtin's study, scholars such as Peter
Burke, Natalie Zemon Davis, and Carlo Ginzburg have shown that the
relationship of the upper classes to popular culture changed in the
first half of the sixteenth century. Previously these classes had
participated fully in the culture of the people (while adhering to
their own), but at that time they undertook to exclude popular
culture from their lives and from their world. In his refutation of
Bakhtin's thesis, Berrong demonstrates the complex and shifting
role of popular culture in Rabelais's narratives. His conclusions
should interest not only readers of Gargantua and Pantagruel but
all students of the sixteenth century, since the use and exclusion
of popular culture is an issue in the study of many of the writers,
artists, and composers of the period. Richard M. Berrong is an
assistant professor of French at Kent State University. He is the
author of Every Man for Himself: Social Order and Its Dissolution
in Rabelais (1985).
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