This indispensible text can justly be regarded as the forerunner to
the great flowering of Dostoevsky's novels which was to follow. The
first part of this unusual work is often treated as a philosophical
text in its own right; the second part illustrates the theory of
the first by means of its own fictional practice. At the same time,
the reader is introduced to the phenomenon of the 'Underground
Man', one of the first genuine anti-heroes in European literature.
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