The French Republic--with its rallying cry for liberty,
equality, and fraternity--emerged in 1870, and by 1880 had
developed a coherent republican ideology. The regime pursued
secular policies and emphasized its commitment to science and
technology. Naturalism was an ideal aesthetic match for the
republican ideology; it emphasized that art should be drawn from
the everyday world, that all subjects were worthy of treatment, and
that there should be flexibility in representation to allow for
different voices.
"Art of the Actual" examines the use of naturalism in the
19th-century. It explores how pictures by artists such as Roll,
Lhermitte, and Friant could be read as egalitarian and republican,
assesses how well-known painters including Degas, Monet, and
Toulouse-Lautrec situated their painting vis-a-vis the dominant
naturalism, and opens up new arguments about caricatural and
popular style. By illuminating the role of naturalism in a broad
range of imagery in late 19th-century France, Richard Thomson
provides a new interpretation of the art of the period.
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