Christopher Marlowe's drama, The Jew of Malta, has become an
increasingly popular source for scholarly scrutiny, staged
productions, and, most recently, a filmed version. The play follows
the sometimes tragic, sometimes comic, often outrageous fortunes of
its villainous protagonist, the Jew Barabas. In recent years the
play has provoked as much interpretive controversy as any work in
the Marlowe canon. This unique volume is therefore especially
timely, providing fresh, varied approaches to the many enigmatic
elements of the play.
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