Although Smollett's obvious masculine sensibility has become a
commonplace in criticism of the 18th-century novel, the basis and
particularities of that sensibility have never been examined. In
actuality, his treatment of women--heroines, victims, and comic or
grotesque--proves far more complex than conventional commentary
suggests. This study attempts to show that in each category
Smollett's treatment depends on the fictional purposes that these
characters serve in his novels.
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