Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800
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Portraits, Painters, and Publics in Provincial England 1540-1640 (Paperback)
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Portraits, Painters, and Publics in Provincial England 1540-1640 (Paperback)
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In this, the first comprehensive study of post-Reformation
provincial English portraiture, Robert Tittler investigates the
growing affinity for secular portraiture in Tudor and early Stuart
England, a cultural and social phenomenon which can be said to have
produced a 'public' for that genre. He breaks new ground in placing
portrait patronage and production in this era in the broad social
and cultural context of post-Reformation England, and in
distinguishing between native English provincial portraiture, which
was often highly vernacular, and foreign-influenced portraiture of
the court and metropolis, which tended towards the formal and
'polite'. Tittler describes the burgeoning public for portraiture
of this era as more than the familiar court-and-London based
presence, but rather as a phenomenon which was surprisingly
widespread, both socially and geographically, throughout the realm.
He suggests that provincial portraiture differed from the
'mainstream', cosmopolitan portraiture of the day in its
workmanship, materials, inspirations, and even vocabulary, showing
how its native English roots continued to guide its production.
Innovative chapters consider the aims and vocabulary of English
provincial portraiture, the relationship of portraiture and
heraldry, the painter's occupation in provincial (as opposed to
metropolitan) England, and the contrasting availability of
materials and training in both provincial and metropolitan areas.
The work as a whole contributes to both art history and social
history: it speaks to admirers and collectors of painting as well
as to curators and academics.
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